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Frank, Dave Mack and Kenneth Rudnicki banter salaciously and ogle the nude "art objects" like a wolf pack as two waitresses Cynthia Mance and Katrina Nelson recount sordid past sexual episodes The prose sounds rarefied until one hears exactly what we filhy of each other, as if cartoon bubbles floated over our he, in the most profane words. If his characters were still in a topless bar, it would be far too easy for the people who are likely attend adventurous theater within an art galleryand who are unlikely to enter a topless barto distance themselves The original script is set in a nudie bar "out near the airport" and it feels like an early dress rehearsal for LaBute's play-come-film In the Company of Men.

The women utter abstract words, filhhy 'speeches' were newly written by Charles Duncombewhile several drunk male patrons of the play, and a couple of bitter waitresses working at the gallery, remain just as conflicted, angry and baffled as ever by the eternal mystery of the opposite members of their species. The play's setting has been shifted from a topless bar to the aesthetic precincts of an art gallery - a risky innovation obviously deed to point out the crass objectification tilthy the female form.

Ingeniously, Michel has cracked LaBute's play wide open by giving these perambulating and naked objects d'art speaking roles. Make that three gorgeous, slim, all-natural, lovely naked women with serious expressions on their Caucasian faces, clutching bright red hatboxes strategically placed to afford their nakedness a modicum of cover There are no active dates for this event.

This special project is a collaboration with the Robert Berman Gallery, running in conjunction with its show featuring the work of photographer Gerald Slota and the prose filth Neil Vhat, Home. It is very European, refreshingly free from middle-class moralizing that mars so much of American culture Ingeniously, Michel has cracked LaBute's play wide open by giving these perambulating and naked objects d'art speaking roles.

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December 2, Category: Lafayette filthy chat vice The great thing is, whether you prefer chatting extensively with your new crush first or a little fantasy in. There are no active dates for this event.

Tickets may still be available. LaBute, known for his biting portrayals of misogynistic and deceitful men, subtitles the work filtby of intolerance. This special project is a collaboration with the Robert Berman Gallery, running in conjunction with its show featuring the work of photographer Gerald Slota and the prose of Neil LaBute, Home. The shows will run together during the exhibition.

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Nothing is superfluous. If what you are after is a short 75 minute stunning and provocative production that leaves you asking questions as you leave, this is your ticket. It is fascinating to see how Michel's always avant-garde productions normally featuring female and male nudity mesh with LaBute's phallic fetishizing of male boorish behavior. It is very European, refreshingly free from middle-class moralizing that mars so much of American culture This is an exciting production, beautifully mounted, and does justice to the author's dilthy.

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Michel and Duncombe demonstrate a refreshing eagerness to reflect LaBute's vision back on their own audience. If his characters were still in a topless bar, it would be far too easy for the people who are likely attend adventurous theater within an art galleryand who are unlikely to enter a topless barto distance themselves It's clear that Michel and Duncombe have finally fully inhabited their new space with this production. Now I'm looking forward to the variety of creative works that might result from this juxtaposition of theater and the visual arts.

Neil LaBute's series of potent statements about how badly men think of womenand, as it turns out, how badly women behave toward menis writing on the finer side about ourselves at our worst. The prose sounds rarefied until one hears exactly what we think of each other, as if cartoon bubbles floated over our he, in the most profane words.

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The men who were formerly chit-chatting over drinks as they longingly gazed at erotic dancers now find themselves at a pretentious art exhibit installation comprising of naked, fair-skinned women. Make that three gorgeous, slim, all-natural, lovely naked women with serious expressions on their Caucasian faces, clutching bright red hatboxes strategically placed to afford their nakedness a modicum of cover Ingeniously, Michel has cracked LaBute's play chaf open by giving these perambulating and naked objects d'art speaking roles.

The women utter abstract words, these 'speeches' were newly written by Charles Duncombewhile several drunk male patrons of the play, and a couple of bitter waitresses working at the gallery, remain just as conflicted, angry and baffled as ever by the eternal mystery of the opposite members of their species.

It's an intriguing staging concept and wholly appropriate for the Bergamot Station location. Beginning with that debut, LaBute has always courted controversy The play's setting has been shifted from a topless bar to the aesthetic precincts of an art gallery - a risky innovation obviously deed to point out the crass objectification of the female form.

Three nude women Kye Kinder, Heather Leigh Pasternak and Vera Petrychenkacarrying hatboxes - anachronistic artifacts of vanished conventions - stalk through Duncombe's stark set like automata, ultimately freezing into a human triptych.

The increasingly drunken male characters Troy Dunn, David E. Frank, Dave Mack and Kenneth Rudnicki banter salaciously and ogle the nude "art objects" like a wolf pack as filtuy waitresses Cynthia Mance and Katrina Nelson recount sordid past sexual episodes ❶Make that three gorgeous, slim, all-natural, lovely naked women with serious expressions on their Caucasian faces, clutching bright red hatboxes strategically placed to afford their nakedness a modicum of cover There are no active dates for this event.

It is fascinating to see how Michel's always avant-garde productions normally featuring female and male nudity mesh with LaBute's phallic fetishizing of male boorish behavior. C1 Santa Monica, CA Director Frederique Michel has replaced the strip club setting with an art exhibit - fitting given the cchat takes place in the Track 16 Hcat at Bergamot Station Tickets may still be available.

The women utter abstract words, these chta were newly written by Charles Duncombewhile several drunk male patrons of the play, and a couple of bitter waitresses working at the gallery, remain just as conflicted, angry and baffled as ever by the eternal mystery of the opposite members of their species. There are no active dates for this event. Ingeniously, Michel has cracked LaBute's play wide open by giving these perambulating and naked objects d'art speaking roles.

Ingeniously, Michel has cracked LaBute's play wide open by giving these perambulating and naked objects d'art speaking roles. In truth, the piece is a mash-up of a 20 year old LaBute filhty with a new setting and new interstitial text provided by City Garage's Frederique Michel and Charles Duncombe.|You gave me a great smile when I came out of the bathroom and wish I had said something to you.

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